MUSIC

Eires, for three guitars, Chanterelle Verlag Editions, 2009; Standard number: ECH1904;
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The piece, serial matrix, is articulated into a theme and five variations. The three guitars are treated to jointly develop a single musical idea "played by a single great instrument". Music goes through contrasting auditory environments ranging from the evocative waltz of “South American to the languid recitative of the central part of the piece to the furious counterpoint of the final variation.

Quintetto n°1 Omaggio a Kandinsky, for guitar and string quartet,
Berben Editions, 2011; Standard number: E.5734B; Buy
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Phonocromatic work, originated from the same author’s paint entitled “Omaggio a Kandinsky”, combines pictorial elements with music and light projections. Tribute to the great painter Kandinsky and to the researches on the sound / color relationship that developed within the Bauhaus.

Eud Eires, for three guitars, Chanterelle Verlag Editions, 2009; Standard number: ECH1905;
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Continuation of the previous Eires, this piece originates from the same author’s paint entitled “Eud Eires, rhythmic variation of a square”. Based on unusual relationship between music and painting theorized by the composer, each musical element comes from a precise correspondence with the structure of the painting. The instruments develope the utmost of their expressive possibilities, giving light to various musical episodes, rich of charming timbric situations, intricate polyrmatic sections and moments of intense and passionate lyricism.

Quattro Omaggi, for solo guitar, VP Musicmedia Editions, 2006;
Standard number: VPMM3151;

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Omaggio a Shubert
Omaggio a Villa Lobos
Omaggio a Ponce
Omaggio a Bartok
Four tonal pieces, with an accentuated lyrical character, captivating and engaging.
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marco@marcodebiasi.info

Concerto, per tre chitarre e orchestra, Chanterelle Verlag Editions, 2009;
Standard number: ECH1901DP;
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Opera commissioned by Paolo Pegoraro, as part of the International Guitar Festival of Friuli Venezia Giulia, in 2009, is one of the rare examples of concerts written for this kind of solists.

Il Giardino nella neve, for solo guitar and narrator voice, Lineadaria Editions, 2009;
Standard number: ISBN 9788895734385;

Illustrated and musical story in which text, music and narrative voice blend in an intricate and rich world of suggestions.
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Suite, for solo guitar, Chanterelle Verlag Editions, 2011; Standard number: ECH1906;
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Written in an original and contemporary style, the piece develops by imitating ancient structures with modern harmonies and timbres.

Ipercubo, for six guitars, Sinfonica Edition (Carisch), 2011; Standard Number: S.0273;
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The piece is in a single movement but it is divided into four sections seamless, explores the possibility of using the instruments in order to create a single big 36-strings guitar. Hence the relationship with the title. The hypercube is a cube in four dimensions, with a total of 36 faces. Likewise, the guitar is conceived in four dimensions: with 36 strings.

18 Studi Progressivi, for solo guitar, Sinfonica Edition (Carisch), 2013; Standard number: S.0341;
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Didactic work for early-year students. The pieces use only tonal or modal elements. The sound is modern and close to the music that young people often listen.

Improvvisazioni Parte II, for solo guitar, Editorial de Musica Espanola Contemporanea EMEC, 2014; I.S.M.N: 979-0-69206-335-3; Buy
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Improvvisazione V
Improvvisazione VI
Work composed of Improvvisazione V and Improvvisazione VI. Improvvisazione V is a kind of elegia in which the bending expedient is used as an instrument of inner lament, evocative of the emotional tension of the soul. Improvisation VI is a direct result of the previous one. The theme just heard in the previous improvisation, through a sudden rhythmic condensation, undergoes profound metamorphosis and gives life to a fast and accentuated movement.

Lumen et Umbrae, for solo guitar, AVA Musical Editions, 2015 AVA151268;
I.S.M.N: 979-0-707741-50-4lumen-et-umbrae" target=; Buy
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Work commissioned by Maestro Juan Carlos Laguna to celebrate the 20th anniversary of the death of Japanese composer Toru Takemitzu. Bipartite work, accompanies a first lyrical and meditative part to a second part energetic and rhythmic.the piece create situations of light and shadow that accentuatedeach time different timbral and sonic aspects of the instrument.

Quattro Aforismi, for solo guitar, Sinfonica Edition (Carisch), 2015;
Standard number: S.0397; Buy
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Concise but energetic and lyrical piece, runs quickly through contrasting colors and rhythms, while maintaining a strong thematic unity.

Ipnosi, for solo guitar, Edition of the Author, 2017;
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marco@marcodebiasi.info

Canzoni del focolare, for solo guitar, Ut Orpheus Edition, 2017; I.S.M.N: 979-0-2153-2486-2;
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Kcor Vento d’inverno Il velo del crepuscolo
Petricore Tre capelli d’oro
Group of six pieces strictly connected with vocal song

di RUGGINE e SANGUE - of RUST and BLOAD, for solo guitar ,
Author's limited edition, 2020;
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marco@marcodebiasi.info

SEEDS - Preludes for friends, for solo guitar,
Author's limited edition, 2020;
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12 Preludes dedicated to twelve outstanding musicians!
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marco@marcodebiasi.info